FUMC Seminole Because we can all feel like stars

Lucien Hi, pleased to greet. I just wanted to say that I am fairly inexperienced in the wiki and can not devote much time, but I think qyue Depestre Rene (Haiti, 1926) is one of the most important poets current French and must be on the wiki in Spanish. You see that in other languages is important wiki entries. I just got an invitation-outline to encourage someone to develop. Now I added an external link, so I do not think it should be removed, but with all his wikificado bibliography and calm it deserves. Thing that I will be delighted when a break. Un saludo. Minorserve.
P.D. Certainly at some point in that I play without registering on the fate of some crazy IP pro-Nazi (81.32.239.140), I am not, of course.
You copy the external link:
Writer Haitian French and Spanish, the founder of the magazine Ruche, which is committed to the struggle against dictatorship and was an ardent activist in the blackness. This poet was precocious in some ways, the prodigal child of Haitian independence in the early twentieth century. His first book of poems, flashes (1945) and Make Blood (1946), gave a certain prestige with only nineteen. In late 1945, founded a magazine with some fellow avant-garde artist, Ruche. Andr Breton, before returning from his exile in New York, gave a lecture series at Puerto Principe, the host of young artists from Haiti, led by Aim C saire surrealism was hugely enthusiastic, so Ruche devoted a special issue to Breton, who was censured by the police dictatorship. Meanwhile, Depestre was in jail. This story resulted in several riots that paralyzed Haiti, the power was unstable for a few days, but then the army restored order, and Depestre was condemned to exile. Since then joined the Negritude cultural movement, founded in Paris on the initiative of C saire, Damas and Senghor. After this date, continuing Depestre trajectory poetics in France, with vegetation clarities (1951), translated in width (1952), Mineral and black (1957). After a brief return to Haiti, where they immediately fled persecution by the Duvalier regime, is in exile in Havana, where he taught for twenty years. While his poetry explores the Surrealist unconscious (Diary of a marine animal, 1964, A Rainbow for the Christian West, 1966), its intention is clear militant (Cantata for October, published in 1968, devoted to death of Che Guevara). Rene Depestre also wrote excellent prose texts, such as Cucana (1973) or Hadriana in all my dreams (Renaudot Prize, 1988). His essays are clear examples of the theme of Negritude (Hello and goodbye to blackness, followed by Identity Works, 1989).

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